Poland served as Marczak’s background for his sophomore outing, and quite brilliantly, he taps into the one thing all young Eastern Europeans share: out-and-out belligerence. Being young and in love feels the same regardless of where you are, but what you do when confronted with these feelings wholly depends on your geographical surroundings. As a Sundance labs fellow, Marczak went through a competitive program in order to help bring his vision to life, and was clearly supported because he desperately wanted to show the flip side of the proverbial coin. I think Michal Marczak was aware of this disconnect between Eastern European and American culture when he made ALL THESE SLEEPLESS NIGHTS. It was this disenchantment with American youth that caused me to focus all the more on my passion for filmmaking, expanding my lexicon and opening my eyes (and ears) to art forms I had previously not encountered. Being a college student in the United States almost felt like taking a few steps back into my adolescence, witnessing belligerent alcoholism the likes of which I’d never witnessed in Europe, perhaps exactly because hitting the town at a younger age introduced us to social drinking. Gone were the long nights of bar-hopping and clubbing, thumping house music was replaced by the complex vocal arrangements of hip hop, and cheap beer had turned into long nights mixing weed and straight vodka. To call the experience a paradigm shift would be a wallop of an understatement. When I was 18 years old, I moved from Bucharest, Romania to pursue my undergraduate degree in film production in California.
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